Blu-spec CD of the Month
Joe Farrell: "Penny Arcade" (CTI/King) 1974/2013
Rating: ***** (musical performance & sonic quality)
Originally released in January 1974
Recorded @ Van Gelder Studio (Englewood Cliffs, New Jersey, USA) in October 1973
Blu-spec CD reissue released on December 11, 2013
Produced by Creed Taylor
Recorded & Mixed by Rudy Van Gelder
Cover Photo: Pete Turner
Album Design: Bob Ciano
Featuring: Joe Farrell (tenor sax, soprano sax, flute, piccolo), Herbie Hancock (acoustic piano & Fender Rhodes electric piano), Herb Bushler (acoustic bass & electric bass), Steve Gadd (drums), Don Alias (congas) & Joe Beck (electric guitar)
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After having recorded his first three CTI albums -- "Joe Farrell Quartet" (1970), "Outback" (1971) and "Moon Germs" (1972) -- with such famous sidemen as Chick Corea, John McLaughlin, Elvin Jones, Stanley Clarke, Jack DeJohnette and Airto Moreira, most of them suggested by producer Creed Taylor, Joe Farell (1937-1986) was finally allowed to take his touring band to the Van Gelder Studio in October 1973, when his fourth CTI album, "Penny Arcade," was cut.
With the extra help of Herbie Hancock, who had performed on the previous "Moon Germs" and would rejoin the reedman some years later on his debut for Warner, "Night Dancing," Farrell's group consisted of Herb Bushler (electric bass), Steve Gadd (drums), Don Alias (percussion) and Joe Beck (electric guitar). My late friend Beck wrote the frenetic title track, while Farrell himself contributed with "Hurricane Jane," the latin-tinged "Cloud Cream" (great work by Farrell on flute and piccolo flute, propelled by Don Alias' pulse) and "Geo Blue," with Hancock on the acoustic piano and a dazzling alternation of tempos and moods.
However, my personal favorite track is an unbelievable 13-minute jam version of Stevie Wonder's "Too High." Besides some unreleased alternate takes, the sessions also yielded a groovy Beck original, "I Won't Be Back," featuring Hancock on the Fender Rhodes, which Creed Taylor smartly saved for inclusion on Farrell's follow-up "Upon This Rock."
Five months later, in March 1974, Joe Farrell returned to Van Gelder Studio with his wild pianoless gang -- guitarist Joe Beck as the main "side-star" bringing all the fuzz box, wah-wah pedals and extra effects he could handle, Thiago de Mello's former bassist Herb Bushler and drummer Jim Madison replacing Gadd -- to cut three more tracks: "Upon This Rock," "Weathervane (both written by Farrell specially for the date), and Beck's "Seven Seas." The "Upon This Rock" LP picked # 24 in the Billboard "Jazz Albums" chart.
Although this is being marketed as the first "official" CD release of "Penny Arcade" in Japan, that album and its two follow-ups for CTI -- the much-sampled "Upon This Rock" and "Canned Funk" -- became available in the Japanese territory back in 2011, when Clinck Records distributed those three albums through an agreement with Wounded Bird, the company that had reissued them here in the U.S.
Btw, on May 22, 2008, Reuters reported about "Upon This Rock":
"Rappers Kanye West, Method Man, Redman, Common and their record companies were sued on Thursday by late U.S. jazz musician Joe Farrell's daughter, who accused them of using her father's music without approval. The lawsuit, filed by Kathleen Firrantello in the U.S. District Court in New York, names the rappers along with various labels owned by Universal Music Group. The lawsuit said all the rappers used portions of Farrell's 1974 musical composition "Upon This Rock" in three separate songs -- West in "Gone," Common in "Chi-City" and Method Man and Redman in their song "Run 4 Cover."
Firrantello is seeking punitive damages of at least $1 million and asked that no further copies of the songs be made, sold or performed, according to the lawsuit.
For the complete original article, please check:
http://www.reuters.com/article/idUSN2253482520080523
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