Saturday, October 31, 2015
Archie Shepp honored with the 2016 NEA Jazz Master
Shepp was born in Florida but grew up in Philadelphia, Pennsylvania, studying piano, clarinet, and alto saxophone before switching to the tenor. He studied drama at Goddard College from 1955-59, but chose music as his main profession. Shepp's first recording under his own name Archie Shepp - Bill Dixon Quartet was released in 1962. Four for Trane, an album featuring four John Coltrane compositions (and one of his own) followed in 1964, taking Coltrane's compositions into a more avant-garde direction that Coltrane himself would follow. Shepp’s bands in the mid-1960s featured musicians including Roswell Rudd, Bobby Hutcherson, Beaver Harris, and Grachan Moncur III.
In 1965, Shepp was a sideman on John Coltrane's Ascension recording and was featured--along with John Coltrane--on New Thing at Newport, a live album with two sets from the 1965 Newport Jazz Festival. At this time, Shepp began looking to African cultural and music traditions for inspiration, as shown on such recordings as The Magic of Ju-Ju (1967), a recording featuring an African percussion ensemble. Before the end of the decade, he added teaching to his activities, first at the University at Buffalo, New York, and in 1971 at the University of Massachusetts, where he spent the next 30 years as a professor in the Afro-American Studies department.
Shepp's musical explorations included spoken word and poetry components to his albums; occasionally stepping forth as a vocalist; and ballads, blues, rhythm and blues, spirituals, and tributes to other jazz musicians such as Charlie Parker and Sidney Bechet. His 1972 albums show distinct political messages: Attica Blues was a response to the Attica Prison riots, while The Cry of My People addressed civil rights. Shepp began touring extensively in Europe and started a continuing tradition of recording with European musicians, while at the same time continuing his musical interest in African music, such as his concert with the Moroccan group Dar Gnawa in Paris in 2003.
In 2004, Shepp co-founded the French record label ArchieBall to release his albums. The 2013 release by the label, I Hear the Sound by the Archie Shepp Attica Blues Orchestra, was nominated for a Grammy Award. The artist is featured in the 1981 documentary film Imagine the Sound, produced by Ron Mann, and in Archie Shepp: je suis jazz c'est ma vie, a 2007 documentary by Frank Cassenti.
Fire Music, Impulse!, 1965
The Way Ahead, Impulse!, 1968-69
Archie Shepp & Horace Parlan, Goin' Home, Steeplechase, 1977
Live in New York, Verve, 2000
I Hear the Sound, ArchieBall, 2012-13 (Grammy Nomination 2014)
The NEA Jazz Masters award is the highest honor that our nation bestows on a jazz musician and includes a cash award of $25,000 and an award ceremony and celebratory concert, among other activities. As part of the National Endowment for the Arts' 50th anniversary events, the annual NEA Jazz Masters celebration will take place in on April 4, 2016 in the nation's capital in collaboration with the John F. Kennedy Center for the Performing Arts.
The National Endowment for the Arts will honor four jazz leaders with the 2016 NEA Jazz Masters award for their significant accomplishments in the field. This year's honorees range from fiery saxophonists who cut their teeth with the legendary John Coltrane, to a vibraphonist who reshaped the direction of jazz by introducing rock elements, to one who has dedicated her life to assisting jazz musicians in need.
NEA Jazz Master awards are bestowed on living individuals on the basis of nominations from the public including the jazz community. The NEA encourages nominations of a broad range of men and women who have been significant to the field of jazz, through vocals, instrumental performance, creative leadership, and education.
A free concert honoring the 2016 NEA Jazz Masters will be presented at 8:00pm on Monday, April 4, 2016, at the Kennedy Center's Concert Hall and also available in a live video stream at arts.gov, Kennedy-Center.org, and NPR.org/Music. In addition, as a way of expanding opportunities for the public to engage with the artists and their music, the celebration will include other activities April 2-5, such as moderated panel discussions and listening parties at NPR headquarters in Washington, DC, and educational opportunities for local DC students, which will feature some of the 2016 NEA Jazz Masters. More details on these events, including how to obtain tickets for the April 4 concert, will be announced in early 2016.
For more information on The National Endowment for the Arts, please visit: Arts.org