"An Evening with Dave Grusin" out soon!

Arguably one of Dave Grusin's best orchestral albums ever, alongside such masterpieces as "NY/LA Dream Band" (why they don't reissue this landmark video/LaserDisc on DVD??? Eric Gale, Anthony Jackson, Steve Gadd and George Young play their asses off!), "West Side Story" and "The Gershwin Connection," a new project titled "An Evening with Dave Grusin" will be released here in the U.S. next April 26 by the Telarc label (only 6 days after the original release in Japan by Universal on April 20). The doemstic CD is already available for pre-order on Amazon through the link below:
http://www.amazon.com/Evening-Dave-Grusin/dp/B003VZ8I82/ref=sr_1_1?ie=UTF8&s=music&qid=1299770424&sr=8-1
Hope it will come out on DVD and Blu-ray formats soon too.

If you've spent any time at all in a movie theater or in front of a TV set during prime time over the past four decades, chances are good you've encountered Dave Grusin along the way. In addition to a formidable body of work as a jazz recording artist, this pianist, composer, arranger, and wi...nner of 10 Grammys, an Oscar, and has scored some of the most entertaining and enduring films of the past half-century, including The Graduate, Three Days of the Condor, On Golden Pond, Tootsie, The Champ, Milagro Beanfield War, The Firm, and many others. On the small screen, Grusin composed scores and themes for It Takes a Thief, The Bold Ones, Maude, Baretta, St. Elsewhere and other popular TV series. His jazz recordings have topped the charts for the past three decades.

Grusin steps out from behind the various machinations of film and television production to take center stage on An Evening with Dave Grusin, a groundbreaking live recording that captures him conducting and performing with a host of stars, and backed by the 75-piece Henry Mancini Institute Orchestra at the Adrienne Arsht Center in Miami, Florida, in December 2009. The album is a collection of 12 songs by Grusin, Leonard Bernstein, George Gershwin and Henry Mancini. Guest performers on the date include singers Jon Secada, Patti Austin & Monica Mancini (the latter singing on his father's classic song "Moon River", vibraphonist Gary Burton, Cuban trumpet virtuoso Arturo Sandoval, master flutist Nestor Torres and percussion ace Sammy Figueroa.

Amanda Carr & Silver Fox Jazz Quintet in concert in Massachusetts, March 12

Saturday, March 12th, 8-11pm
Amanda Carr and the Silver Fox Jazz Quintet
"Songs from the Great American Songbook"

Cabaret style, dance floor available. $30 a person or reserve a table for 6 for $160 Call 978 369-7911 or visit www.51walden.org

PRESENTED BY: Friends of the Performing Arts in Concord FOPAC, Performing Arts Center at 51 Walden St, Concord, MA.

Hubert Laws' "In The Beginning" reissued today in the UK, but only on vinyl

One of Hubert Laws' masterpieces for the CTI label, "In The Beginning" is being reissued today in England, exclusively on vinyl format. Originally released in 1974 as 2-LP set under the catalog number CTX 3+3, the project also became available one year later, with different gatefold cover art and different cover pic by Pete Turner, under the title "Then There Was Light Vol.1" (CTI 6065) and "Then There Was Light Vol.2" (CTI 6066).

Now, instead of released as a 2-record set, these great albums are back in the market separately issued as "In The Beginning Vol.1" and "In The Beginning Vol.2." Oddly, using the same catalog numbers of "Then There Was Light"...!

Both volumes are already in stock on Juno Records (priced at £11.66) and can be ordered through this link: http://www.juno.co.uk/artists/Hubert+Laws/

Vol. 1 includes five tracks: Clare Fischer's "In The Beginning," Harold Blanchard's "Restoration," Eric Satie's "Gymnopedie" adapted by Bob James, the gospel hymn "Come Ye Disconsolate" and a superb Hubert Laws/Steve Gadd duo version of Sonny Rollins' "Airegin."

John Coltrane's "Moment's Notice" (featuring Hubert's brother, Ronnie Laws, on tenor sax), Rodgers Grant's ingenious "Reconciliation" and Laws' own delightful latin-bop tune "Mean Lene" are on the second volume.

Clare Fischer, Rodgers Grant and Bob James (acoustic piano & Fender Rhodes), Richard Tee (organ), Ron Carter (bass), Steve Gadd (drums), Airto Moreira (percussion), Dave Friedman (vibes), Gene Bertoncini (guitar) and Ronnie Laws (tenor sax) took part of the four recording sessions that took place at Rudy Van Gelder Studio in February 1974, produced by Creed Taylor of course. A string trio (David Nadien on violin, Emanuel Vardi on viola and George Ricci on cello) was recruited for "Gymnopedie" only.

Ted Curson's Quintet returns to Gillespie Auditorium on March 15

Join us for an exciting musical evening on Tuesday evening, March 15 when trumpet giant Ted Curson brings his dynamic ensemble to the John Birks Gillespie Auditorium in the New York City Baha'i Center at 53 East 11th Street (between University Place & Broadway). This evening Ted Curson’s ensemble features Michael Cochrane on piano, Bruce Cox on drums, Calvin Hill on bass, and Bryan Jones on saxophones. There will be 2 shows at 8:00 and 9:30 p.m. Please call 212-222-5159 for reservations and information.

An outstanding and flexible trumpeter, Ted Curson is well-known for his work with Charles Mingus’ quartet (which also included Eric Dolphy and Dannie Richmond). He studied at Granoff Musical Conservatory; moved to New York in 1956; played in New York with Mal Waldron, Red Garland, and Philly Joe Jones; and recorded with Cecil taylor (1961). After the 1959-60 Mingus association (which resulted in some classic recordings), Curson co-led a quintet with Bill Barron (1960-65), played with Max Roach, and led his own groups. He spent time from the late ‘60s on in Europe (particularly Denmark) and then returned to the US in 1976.

Ted Curson has led sessions for Old Town (1961), Prestige, Fontana, Atlantic, Arista, Inner City, Interplay, Chiaroscuro, and several European labels. A dogmatic approach to playing one’s own way that has marked the work of his mentors - Mingus, Miles, Dolphy and Cecil - is what defines Curson’s incredibly difficult to pinpoint approach, one that seems to hit every adjective in the book while harping on none. At present he has over 20 solo albums to his credit. He is sought after as a music instructor and is in demand for jazz clinics and concerts at universities and music schools throughout the world.

Admission is 15.00, 10.00 for students.
Tickets will be sold at the door, or call 212-222-5159 for reservations and information.
For more about the NYSAJE and other acts at "Jazz Tuesdays", check out our websites at http://bahainyc.org/nyc-bahai-center/jazz-night & www.jazzbeat.com

Jazz Tuesdays
in the John Birks Gillespie Auditorium
The New York Baha'i Center
53 East 11th Street (between University Place & Broadway)
Two shows: 8:00 and 9:30 p.m.

Bare Pool & Lounge - Summer's Back

BARE at The Mirage offers an exclusive adult alternative to the typical Las Vegas pool experience.

Celebrating its fifth season, BARE Pool Lounge opens Monday, March 14th for the 2011 season with the annual Summers Back Party. And going into its second season, Liquid opens its doors Thursday, March 18th. Rain or Shine.

One of the newest pool lounges on the Las Vegas Strip, Liquid features Vegas’ hottest resident DJ’s spinning along side world rewound DJ’s such as Fedde LeGrand and Bob Sinclar, who are both slated to perform in the 2011 season. Guests can also expect to swim and sunbathe amongst Hollywood’s hottest stars such as Carrie Underwood, Audrina Patridge, Kristin Cavallari, Zac Efron, Jamie Kennedy and Mario Lopez. Every Thursday it’s all about the locals, who will enjoy complimentary admission and bottle specials every Thursday along with weekly industry driven parties and events.

Liquid is equipped with eight luxurious private cabanas complete with 40” flat screen TVs, Playstation 3, and additional amenities. Cabanas are enclosed within a 16,000 square foot oasis along with two private dipping pools, sprawling chaise lounges and plush daybeds that surround a 1,200 square foot main pool. Poolside dining features a playfully sophisticated menu created by Light Group executive chef Brian Massie complimenting a refreshing list of seasonal cocktails available daily. LIQUID is open Thursday-Sunday, 11:00am-6:00pm, and will be open seven days a week beginning May 1st 11am – 7pm.

BARE Pool remains one of Las Vegas’ premiere European-style adult-only pool lounges. Bare features resident DJ’s providing poolside entertainment daily, and has been a known sunbathing oasis for Las Vegas locals and celebrity guests such as Britney Spears, Avril Lavigne, David Spade and rocker Slash among others. BARE is an intimate 14,000 square-foot daytime haven that includes six VIP cabanas, eight daybeds and a luxury VIP infinity pool. Entertainment offerings have ranged from live performances by Fergie, Carrie Underwood, Billy Idol, Weezer and world rewound DJ’s such as Tiesto and Will.I.Am. And every Monday, locals and tourists alike can catch Bare Pool Mondays, the hottest Industry pool party on the strip, that features weekly local driven parties and events.

Bare Pool offers a light fare menu by Light Group executive chef Brian Massie with its signature Lobster Tacos, amongst menu selections, and has received national media attention for its specialty cocktails such as the Tickled Pink, Strawberry Mojito, and Lava Flow. Bare Pool is open Thursday – Monday 11am – 6pm and will be open seven days a week beginning May 1st, 11am – 7pm

The Light Group, renowned for providing unparalleled service at its sophisticated and stylish Las Vegas nightlife and restaurant properties, brings its exceptional operational prowess to Bare at The Mirage, providing an exclusive adult alternative to the typical Las Vegas pool experience.

The ultimate in poolside pampering, Bare is defined by its distinctive contemporary ambiance and ultra VIP service. The DJ-spun music mix sets a lively mood as guests enjoy European-style sun bathing secluded by towering palms.

Two luxury dipping pools create a temptingly cool respite from the hot Vegas sun. Private Daybeds and Cabanas provide a luxurious option while poolside chaise lounges put guests in the middle of the action. A menu offers sumptuous specialty food items and cocktail service is available throughout the pool area. For those choosing to rent a Daybed or Cabana, European-style bottle service is offered and some titillating twists: an exclusive pitcher service provides a unique alternative to standard bottle service with pre-mixed cocktails such as Mojitos, Bloody Marys and Sangria served in specially made pitchers guaranteed to keep your beverages ice cold.

VIP service is the standard at Bare. The attentive staff mix with the clientele and offer complimentary services to daybed and cabana guests which include: chilled cucumbers to soothe the eyes; iced towels, rolled and chilled in flavored water; exotic frozen fruit, skewered for easy snacking; icy popsicles; mini fruit smoothies, served in individual shot glasses; and Evian misting bottles, super-chilled and ready to spritz.

Additionally, Food and Beverage minimums will apply to all Daybed and Cabana reservations, please call the concierge for more information 702.791.7416.

Reserve a Cabana/Daybed
BARE Pool Lounge will open for the season on March 14, 2011.
Hours:
Thursday through Monday
11:00 a.m. to 6:00 p.m.
Admission:
Men: $20 Sunday through Thursday
$40 Friday and Saturday
Women: $10 daily
Must be 21 years of age or older with valid ID

For additional information and pricing please call:
702.588.5656 or email barepoollounge@lightlv.com
Buyout and Private Event Inquiries:
Contact Rivka Noble at 702.693.8300 x 1270 or e-mail Rivka@lightlv.com.

3400 S. Las Vegas Blvd., Las Vegas, NV 89109 • 702.791.7111

Jessy J meets Joe Sample in her new album

Back from the Dubai Jazz Festival, saxophonist Jessy J completes her third solo album and gears up for appearances at Disney's Jazz Celebration!

Jessy J has announced she will be releasing a new recording project in the fall of 2011. This yet to be titled CD will expand on her previous hits "Tequila Moon" and "Tropical Rain," while adding some new flavors and sounds. The album features special guest appearances by pianist Joe Sample, guitarist Ray Parker Jr., and superdrummer Harvey Mason.

A lot has happened since Jessy J came on the scene in 2008 and was named debut artist of year by Radio and Records mag, with "Tequila Moon" being named the number one song of the year by both Billboard and Radio and Records.

Today, Jessy is gearing up to be honored as a special guest clinician at Walt Disney World's Jazz Celebration, where she and others will be helping spread the joy of jazz through performances and clinics.

"It's so important for me to give back in a traditional clinic setting because I feel like I was blessed by so many incredible teachers coming up through the years," said Jessy J.

Jessy's history with Disney goes back to Middle School when she was selected to perform in the California All State Honor Band at Disneyland. "We would prepare our music in rehearsals on the weekends then the ending culmination would be a full day at Disney where we got to perform and go on the rides," said the saxophonist.
As an adult, Jessy has worked at Disney in the All-American College Band in 2000 and was inducted to the Disney Magic Music Days Hall of Fame in 2009. (Pic above from Disney's Jazz Celebration 2010)

"Being apart of Disney is special to me because they gave me my first training in 'entertainment'. They're a wonderful company to be involved with and I am thankful for the opportunity to encourage the next generation of music producers, performers, teachers, and artists," she said.

Jessy is just getting back from a whirlwind tour from Canada, the Midwest and the United Arab Emirates as a headling artist at the Dubai Jazz festival. In addition to her own popular music, Jessy has been busy performing with other artists, which includes guest appearances on CDs as a featured performer with artists like Seal, Kirk Whalum, Paul Brown, Michael Bolton and more.

"Working in the studio with legendary pianist/producer Joe Sample was inspiring. I worked extra hard to be prepared for our sessions together. We first met at the KSBR Bash in 2008 where we jammed on his classic hit, 'Put it Where you Want It'. I told him that I'd love to work with him one day and gave him a CD. It took some time but the stars aligned and we were able to collaborate on this project together, it was worth the wait," said Jessy.

A complete tour list can be found at: http://www.jessyj.com/tour/index.php
(Ray Parker Jr., Joe Sample, Jessy J & Harvey Mason during the recording sessions)

Win tix to Simian Mobile Disco live in NY

With their new album "Delicasies" blowing up in clubs all around the world, Simian Mobile Disco make their return to New York City on Saturday, March 19. Throw in names like Skream and Benga, this is sure to be the biggest dance party that the West Side has seen in years! Other Music got two pairs of tickets to give away. Email tickets@othermusic.com to enter and they'll notify the winners on Monday.

SATURDAY, MARCH 19
TERMINAL 5
610 W. 56th Street
NYC, NY

Aria presents "Industry Wednesdays" @ The Deuce, tomorrow nite

Wednesday, March 9th
The middle of the week just got better with the freshest industry night in town at The Deuce. The Deuce is the spot for swank sophistication and keeping dreams alive past the nine to five every Wednesday night. As always, ladies can enjoy the open champagne bar from 10-11pm and half price bottles for locals all night. The Deuce is the spot to double down on your week each and every Wednesday!

The Deuce Lounge @ Aria
Starts at 10:00pm
Aria Resort and Casino
3730 S. Las Vegas, Blvd. Las Vegas, NV 89109
Ph: (702) 693-8300
The Deuce Lounge offers a chic, smooth ambiance that captures guest's attention and invites them to relax and enjoy custom cocktails matched with an unparalleled level of service. In the evening the room transitions to offer an intimate atmosphere where clientele can mingle while sipping exquisite libations.

The Deuce Lounge offers a creative menu, sampling appetizers of contemporary American fare. During the day guests can enjoy the big game on elevated plasmas or just peer out and people watch over the bustling casino floor. Located in the center of Aria, The Deuce Lounge offers the convenience of gaming to further enhance the experience.

Venue Specifications
•2,930 square feet
•Occupancy for 181 people
•Appetizers served until 10pm
•State of the art sound system by Avalon Sound
•Full service bar
•Two plasma flat screens
•Six gaming tables
•DJ services

Enjoy!

Ann Hampton Callaway @ Dizzy's Club

ANN HAMPTON CALLAWAY AT DIZZY'S CLUB, NY
Tuesday-Sunday, March 8-13, 2011 - 7:30 p.m. & 9:30 pm

A Platinum Award winning songwriter with credits ranging from Barbra Streisand to the television theme from The Nanny, Ann Hampton Callaway is the rare singer with the cachet of a cabaret star, the skill of a seasoned jazz pro, and the wit and timing of a stand-up comedian. Along with her own original songs, her special on-the-spot-made-for-the-audience compositions (always a treat for her guests), and a repertoire that includes clever arrangements of standards such as "Ain't Misbehavin,'" "Isn't It A Pity," "At Last," and "It Never Entered My Mind," the swinging and sultry vocalist always delivers the goods. Plus, you just never know who will join her in an impromptu session on stage.

Ann Hampton Callaway, vocals
Bill Cunliffe, piano; Peter Washington, bass; Tim Horner, drums

General Admission: $30-$35
Students: $15 w/valid student ID on select dates.

RESERVE NOW!
DIZZY'S CLUB COCA-COLA
Frederick P. Rose Hall
Home of Jazz at Lincoln Center
Broadway at 60th Street, 5th Fl.,
New York, NY
212-258-9595/9795 or www.jalc.org/dccc
www.annhamptoncallaway.com

CD of the Week - "Pablo Held: Glow"

CD of the Week
Pablo Held: "Glow" (Pirouet) 2011

Rating: **** (music performance & sound quality)

Featuring: Pablo Held (piano, celesta), Menzel Mutzke (trumpet), Sebastian Gille (tenor & soprano saxophones), Niels Klein (tenor & soprano saxophones, bass clarinet), Kathrin Pechlof (harp), Hubert Nuss (celesta, harmonium), Henning Sieverts (bass, cello), Dietmar Fuhr (bass), Robert Landfermann (bass) & Jonas Burgwinkel (drums)

After two outstanding trio albums ("Forest of Oblivion" and "Music," which placed him high in the past Jazz Station Polls, being voted "Best New Talent" in 2008 and #5 top acoustic piano player in 2010), Pablo Held is now back with "Glow," an ambitious project produced & engineered by Jason Seizer, Pirouet's head. Contrast, color, and interaction: these are the essential catchwords that best capture the sense and sensibility of this new album, released in Europe last month. Pablo Held has created something big, both personally and musically, for a larger ensemble with unconventional instrumentation. There are no jazz standards in the 10-track program, which consists of new originals exclusively. All composed by Held himself, except "Wiegenlied" (written by his father Peter Held, himself a jazz and classical pianist) and "This Is What I'm Asking For" (Sandra Hempel).

Born on December 27th, 1986, pianist Pablo Held has won the first prize at Nordrhein-Westfalen's "Jugend Jazzt" three times - in 1999, 2003, and 2005, the first time as a twelve-year-old! He has played with, among others, the WDR Big Band, Manfred Schoof, Paul Heller, and Niels Klein. Held studied in Cologne with the outstanding German pianist Hubert Nuss. His debut album "Forest of Oblivion" was highly praised by the press. At the age of 23, he brings out his second CD, "Music" - and that previous remarkable profile is brought into even sharper perspective. And in March 2010 Pablo assembled nine musicians to record "Glow" in the broadcast hall of the German Radio in Cologne.

CD Reissue of the Week - "Peter Herbolzheimer: Latin Groove"

CD Reissue of the Week
Peter Herbolzheimer Rhythm Combination & Brass: "Latin Groove" (Koala) 1987

Produced by Peter Herbolzheimer (1935-2010), the late German arranger-composer-trombonist-big band leader who conducts his fiery orchestra in this latin-tinged session, recorded in 1986 in the cities of Baden-Baden and Cologne.

Featuring trumpeter Ack van Rooyen, trombonist Jiggs Whigham (who recorded a fabulous duet album with Gene Bertoncini some years ago), woodwind master John Ruocco, guitarist Peter Tiehuis, keyboardists Thomas Clausen & Jorg Reiter, bassists Dave King & Mads Vinding, drummer Bruno Castellucci, and percussion aces Freddy Santiago (who recorded alongside Trilok Gurtu on Airto Moreira's "Brazilian Mass") and Dom Um Romão, who suggested many songs for the repertoire. Among them, Jorge Ben's "Zazueira," which he had previously recorded with Astrud Gilberto & Stanley Turrentine on "Gilberto with Turrentine" for CTI back in 1971.

The program also includes three other Brazilian tunes: Edu Lobo's "Casa Forte" and "Prá Dizer Adeus," and Ivan Lins' "Começar de Novo" aka "The Island." Herbolzheimer himself contributes several originals, such as "Blues in Latin" and "Penúltima Batucada." It's also worth to mention his explosive arrangement for Chick Corea's fusion classic "Spain," on which Dom Um can be heard doing his typical mouth percussion effects.

LA Premiere Of "Jazz Messages: The Sheila Jordan Story" w/ Ellen Johnson @ Vitello's

One of the remaining legends of jazz vocals shares her life in performances of music & words!
Legendary jazz vocalist Sheila Jordan will be appearing for two nights and two different shows at Vitello's Jazz and Supper Club in Studio City, CA.

The two evenings of music include the LA première of "Jazz Messages: The Sheila Jordan Story" on Friday, March 11th. The unique performance of Jazz Messages is based on Jordan's upcoming biography with author, Ellen Johnson, another superb vocalist on her own right, who will be reading excerpts from the forthcoming book while Ms. Jordan shares her personal stories through her music.

Then on Saturday evening, March 12th, Ms. Jordan performs a concert of her best known music that has made her one of the icons of jazz. She will be accompanied both evenings by a phenomenal trio of some of the most respected jazz musicians in the world including, pianist Alan Pasqua (currently touring with Allan Holdsworth), drummer Peter Erskine (former Weather Report member) and bassist Darek Oles.

March 11th show begins at 8 PM and March 12th has two shows at 8 PM and 10 PM with tickets ranging from $25 to $35. Vitello's is located at 4349 Tujunga Ave, Studio City.
For more information or to purchase tickets go to www.ticketweb.com, www.vitellosrestaurant.com or call 818-769-0905.

Sheila was called "one of the most distinctive voices in jazz," according to National Public Radio (NPR) and The New York Times raved, "her ballad performances are simply beyond the emotional and expressive capabilities of most other vocalists." Sheila has performed and recorded with many of the most prominent musicians in jazz including, Charles Mingus, Steve Kuhn, Bobby McFerrin, Mark Murphy (with whom she recorded the stunning "One for Junior" CD released in 1993 by the Muse label), Jon Hendricks, Kurt Elling, Harvie Swartz and countless others. At 82 years of age she continues to travel the globe spreading her message of love for the music of jazz. Jordan's singing began in Detroit during the 1940's where she was inspired by bebop genius Charlie Parker who became her "musical guru" and close friend. Ms. Jordan is best known for her innovative bass and voice recordings and for the 1962 Blue Note recording "Portrait of Sheila."All Music Guide says that vocalist Sheila Jordan is "one of the most consistently creative of all jazz singers." The New York Times raves, "Her ballad performances are simply beyond the emotional and expressive capabilities of most other vocalists." Jordan's singing began in Detroit during the 1940's where she was initially inspired by Charlie Parker, her "musical guru" and dear friend. She honed her skills, sitting in with Parker and other musicians when they came to town to perform in the Bluebird, the Sudan and other local clubs.

Moving to New York City in the early 50's, she sang in Greenwich Village clubs and at jam sessions with some of the city's jazz giants, including Charles Mingus and Herbie Nichols, and studied with legendary pianist Lennie Tristano. After touring with trombonist Roswell Rudd in the late '70's, Jordan became a founding member of the Steve Kuhn Quartet, where she met bassist Harvie S. (formerly known as Swartz). Soon afterward, she and Harvie formed one of the most innovative bass and voice duets traveling extensively, both nationally and internationally.

Her love for the bass continued with recordings and performances with bassist Cameron Brown and their most recent recordings, "I've Grown Accustomed to the Bass," "The Very Thought of Two," "Celebration," and "Live at the Triad." For her most recent recording, "Winter Sunshine," Christopher Loudon of JazzTimes writes, "Though it's a fool's gambit to credit any living jazz vocalist as the world's greatest, it would be imprudent not to acknowledge that the indefatigable Sheila Jordan must rank within the top two or three."

For much of the last 30 years, Jordan, like her colleague Mark Murphy, has been extremely active in teaching young students the ropes of jazz singing, and has made her living by combination of touring and teaching. Sheila initiated the jazz vocal program at New York City's City College, has been a faculty member of "Jazz in July" at the University of Massachusetts ((Amherst), visiting professor at Stanford University, taught at the New School for Social Research, Manhattan School of Music, Musica Hochschule in Graz, Austria and continues to teach workshops throughout the world.

Sheila Jordan has appeared in festivals and clubs both nationally and internationally with rave reviews from critics even at the age of 82. She has received two National Endowment for the Arts fellowships, the Lil Hardin Armstrong Jazz Heritage Award for Excellence the IAJE Humanitarian Award, New York City MAC Award and the Mary Lou Williams Women in Jazz for Lifetime of Service Award. Down Beat's International Critics Poll has named her the winner of "Talent Deserving Wider Recognition" honors nine times and has placed her among the top five singers in the "Established Talent" category every year since 1980. For more information about Ms Jordan go to: www.sheilajordanjazz.com

Chip White's Ensemble back @ Jazz Tuesdays, in NY, March 8

Join us as we welcome back the Chip White Ensemble with Patience Higgins (reeds), Waldron Ricks (trumpet & fluegelhorn), Sam Burtis (trombone -- oh boy, that solo on Deodato's "Havana Strut"!), Cecilia Coleman (piano), Tim Givens (bass) &, of course, Chip White (drums) on Tuesday, March 8 at Jazz Tuesdays in the John Birks Gillespie Auditorium in the New York City Baha'i Center at 53 East 11th Street (between University Place & Broadway). There will be 2 shows: 8:00 and 9:30 p.m. Please call 212-222-5159 for reservations and information.

Jazz drummer Alan “Chip” White has performed and/or recorded with a variety of artists, including Carmen McRae, Jaki Byard, Candido, John Abercrombie, Frank Wess, Claudio Roditi, James Moody, Tom Waits, Jimmy McGriff, Mulgrew Miller, Gary Bartz, John Hicks, Houston Person and Etta Jones, and many more. He has toured extensively throughout the United States, Canada, Europe, and Japan. In 1990, Mr. White co-wrote and produced the jazz musical "Manhattan Moments" with choreographer Kathy Sanson.

On "Harlem Sunset," his first CD as leader and composer, the visionary drummer/composer brought together an exciting and talented group of musicians — saxophonist Gary Bartz, trombonist Robin Eubanks, vibist Steve Nelson, NY-based Brazilian top trumpeter Claudio Roditi, and bassist Buster Williams, along with Mr. White, on energetic and enthusiastic renditions of original compositions as well as standards.

Chip's second CD, "Music and Lyrics," was released in 2005. He wrote, arranged, and produced all the compositions on this recording, which features the wonderful voice of Gail Allen and the lush tenor saxophone sound of the underrated Houston Person, along with pianist Lafayette Harris and bassist George Kaye.

Then came “Double Dedication”, a two-CD set, features 13 original compositions honoring jazz masters on one CD, and the other contains his poems for each of these artists (from his book, "I'm Just the Drummer in the Band") with the music sequenced underneath. The band includes Wycliffe Gordon, Randy Brecker, Steve Wilson, Kenny Barron, Ray Drummond, and vocalist Gail Allen.

Chip’s latest CD, “More Dedications” will be available at this performance. It is volume 2 in the Dedications series and is also a two-CD set, with 9 original compositions honoring jazz masters on one CD and poems for the same musicians on the second CD. It received a four-star rating in the November 2010 issue of Downbeat and Chip was interviewed in the July 2010 issue of JazzInsideNY (available online). The band includes Steve Nelson, Wycliffe Gordon, Duane Eubanks, Patience Higgins, Mulgrew Miller, and Peter Washington.

More information about all Chip's recordings, poetry, and upcoming gigs is available at www.chipwhitejazz.com

For more about other acts at "Jazz Tuesdays", check out our websites at http://bahainyc.org/nyc-bahai-center/jazz-night & www.jazzbeat.com

Jazz Tuesdays
in the John Birks Gillespie Auditorium
The New York Baha'i Center
53 East 11th Street (between University Place & Broadway)

Monterey Jazz Festival's Next Generation Jazz Festival in April

Monterey Jazz Festival’s Next Generation
Jazz Festival Celebrates 40th Anniversary

America’s Top Young Jazz Musicians from 10 States
Compete for Spot on Monterey Jazz Festival Stages
Monterey Jazz Festival Artist-In-Residence and Two-Time Grammy-Nominee Joshua Redman to Participate

The Monterey Jazz Festival, a nonprofit leader in jazz education since its inception in 1958 and JazzTimes Readers’ Poll multi-year winner for Best Jazz Festival, is proud to announce its annual Next Generation Jazz Festival, April 1 - 3, 2011 in downtown Monterey. The weekend-long event, devoted to the future of jazz, includes the Next Generation Jazz Festival Jazz Competition with Big Bands, Combos, Vocal Ensembles, and individual musicians vying for a spot on the stages of the 54th Annual Monterey Jazz Festival. The event will be open to the public, free of charge.

With over 1200 students participating in the Next Generation Jazz Festival, Monterey Peninsula residents are in a unique position to enjoy the largest gathering of young jazz talent in the region, outside of the Monterey Jazz Festival itself. Sixty-four groups from ten states will participate in the 2011 event, which marks the Festival’s 40th anniversary of the birth of its Annual Jazz Competition.

Introduced in 1971 as the California High School Jazz Band Competition by Monterey Jazz Festival Founder Jimmy Lyons, the competition was conceived as a way of as a way of bringing talented student musicians and groups to Monterey, and cultivating musicians for the future. Notable participants of the Jazz Competition and Next Generation Jazz Orchestra members (formally the California High School All-Star Band) include saxophonists Joshua Redman, Dave Koz and Dave Ellis, pianists Benny Green and Patrice Rushen, multi-instrumentalist Peter Apfelbaum, bassist Larry Grenadier, and many more. 2011 Next Generation Jazz Festival judges trombonist Andy Martin, saxophonists Mary Fettig and Joshua Redman, and trumpeter Ambrose Akinmusire are alumni of the Festival’s education programs, coming through the California High School All-Star Band in the 1970s, 80s and 90s.

California, one of the strongholds of music education, has schools from 15 counties represented in the 2011 festival – including Alameda, Contra Costa, Fresno, Los Angeles, Marin, Riverside, Sacramento, San Diego, San Francisco, San Luis Obispo, San Mateo, Santa Barbara, Santa Clara, Santa Cruz, and Yolo Counties.

In addition, the Next Generation Jazz Festival will present special guest groups from Alaska, California, Oklahoma, Oregon, Nebraska, New York, Pennsylvania, and Japan throughout the weekend.

“Despite all the news being trumpeted about music programs being cut in the public schools, jazz is alive and well at the Next Generation Jazz Festival,” said Dr. Rob Klevan, Education Director of the Monterey Jazz Festival. “Sixty-four of the “Best of the Best” from around America descend upon Monterey April 1 - 3 to share in the joy of performing this great music. The Next Generation Jazz Festival will have a bit of an international flavor as well, with the Tomisato High School Jazz Band from Tomisato, Japan joining us for the festivities. It is going to be another exceptional jazz education event.”

The Next Generation Jazz Festival officially starts with the annual Opening Night Concert at 8 p.m. on Friday, April 1, at the Monterey Conference Center. The opening night's activities will feature the Festival's annual Salute to Jazz Education hosted by local radio personality, Barry Brown of KWAV-FM, along with performances by the internationally-renowned competition judges, including pianist Alan Pasqua, drummer Peter Erskine, saxophonists Antonio Hart, Paul Contos, Mary Fettig, and Aaron Lington; trumpeters Ambrose Akinmusire and Sal Cracchiolo; bassist Ray Drummond, and vocalists Jennifer Barnes and Michele Weir. Also featured during the evening concert will be the 2011 Monterey Jazz Festival Artist-In-Residence, two-time Grammy nominee, saxophonist Joshua Redman.

New for 2011 is the opportunity to purchase optional VIP Gold Circle tickets for the Opening Night Concert, on Friday, April 1, for $50. VIP tickets assures seating in the front rows as well as an invitation to the post-concert “meet and greet” wine and cheese reception with the judges and Artist-In-Residence, Joshua Redman.

The Festival will conduct clinics, workshops, jam sessions, and auditions in the heart of historic Monterey, with music to be performed at the Monterey Conference Center, the host Portola Plaza Hotel, Gilbert’s Restaurant on Fisherman’s Wharf, and the Monterey History and Maritime Museum. The Next Generation Jazz Festival is also continuing its College Fair, allowing students an opportunity to visit with several colleges offering jazz and other music programs.

All Next Generation Jazz Festival competition events -- from the exuberant and electric Big Band, Vocal Ensemble and Combo Competition on Saturday, April 2 and the College Big Band Vocal Jazz Ensemble competition on Sunday, April 3 -- are open to the public, free of charge.

For a complete schedule of activities and competition times, visit www.montereyjazzfestival.org

The Next Generation Jazz Festival Jazz Competition begins at 9 a.m. on Saturday, April 2 in the Conference Center. Throughout the day, the high school groups will perform, with several educational clinics featuring the 2011 Monterey Jazz Festival Artist-In-Residence, Joshua Redman and the Alan Benzie Quartet from the Berklee College of Music.

The top Vocal, Combo, and Big Band divisions will be announced at 6:15 p.m. Saturday evening from the Serra Ballroom stage. At 8:30 p.m., the top finalists will perform a Showcase Concert -- a preview of the groups performing at 54th Annual Monterey Jazz Festival. The final rankings will be announced at the end of the evening.

The Next Generation Jazz Festival continues through Sunday, April 3 with Middle School, College, Conglomerate Big Band, Open Combo, and College Vocal Ensemble Divisions performing in the Serra Ballroom and Steinbeck Forum. The top college big band, college vocal ensemble, and conglomerate big band (to be announced during the day) will also earn a performance slot at the 54th Monterey Jazz Festival. Auditions will also be held for the Next Generation Jazz Orchestra, the Festival’s national all-star high school band.

A one-year grant from the AT&T Foundation supports the Next Generation Jazz Festival and the Next Generation Jazz Orchestra performance tours. AT&T invests significant resources to advance education, strengthen communities and improve lives.

Next Generation Jazz Festival partners and supporters include longtime Monterey Jazz Festival partner Yamaha, providing instruments for Next Generation Jazz Festival stages. Additional support for the Next Generation Jazz Festival comes from generous individuals and organizations such as AT&T Foundation, the Clarence E. Heller Charitable Foundation, the Joseph Drown Foundation, Evans Drumheads, Remo Drumheads, Zildjian Cymbals, Planet Waves Accessories, and Rico Reeds.

More information on all Next Generation Jazz Festival activities and events is available on the Monterey Jazz Festival Web site, www.montereyjazzfestival.org and by phone at 831-373-3366.
*************

2011 Next Generation Jazz Festival Finalists and Participants
HIGH SCHOOL BIG BAND DIVISION

School
City
State
Director

Berkeley High School
Berkeley
CA
Scott Dailey

Buchanan High School
Clovis
CA
Paul Lucckesi

Davis Senior High School
Davis
CA
Fredrick Lange

Folsom High School Jazz Band I
Folsom
CA
Curtis Gaesser

Hamilton Academy of Music
Los Angeles
CA
Jim Foschia

Las Vegas Academy
Las Vegas
NV
Patrick Bowen

Los Alamitos High School Jazz Band I
Los Alamitos
CA
John Rush

Los Angeles County High School for the Arts
Los Angeles
CA
Jason Goldman

Marin High School for the Arts I
Novato
CA
Mark Peabody

Northgate High School
Walnut Creek
CA
Greg Brown

Rio Americano High School "AM"
Sacramento
CA
Josh Murray

Westside High School
Omaha
NB
Roger Groth

HIGH SCHOOL COMBO DIVISION

School
City
State
Director

Berkeley High School Combo I
Berkeley
CA
Scott Dailey

Berkeley High School Combo II
Berkeley
CA
Scott Dailey

Crossroads School for Arts & Sciences
Santa Monica
CA
Evan Avery

Hamilton Academy of Music
Los Angeles
CA
Jim Foschia

Marin High School for the Arts
Novato
CA
Mark Peabody

Northgate High School
Walnut Creek
CA
Greg Brown

HIGH SCHOOL VOCAL DIVISION

School
City
State
Director

Arts West High School
Eagle
ID
Jeff Baker

Downey High School
Downey
CA
Cory Olariu

Folsom High School Jazz Choir I
Folsom
CA
Curtis Gaesser

Folsom High School Jazz Choir II
Folsom
CA
Fred Weber

Los Angeles County High School for the Arts
Los Angeles
CA
Pat Bass

Valencia High School "Seven AM"
Valencia
CA
Christine Tavares

Valencia High School "Two N' Four"
Valencia
CA
Christine Tavares

Valley Christian High School
San Jose
CA
David Hook

CONGLOMERATE BIG BAND DIVISION

Ensemble
City
State
Director

American Music Program
Portland
OR
Thara Memory

Déjà Vu Jazz Band
Santa Clara
CA
David Anderson

Jazzschool Monday Night Studio Band
Berkeley
CA
Keith Johnson

Jazzschool Thursday Night Studio Band
Berkeley
CA
Keith Johnson

SFJAZZ High School All-Star Jazz Orchestra
San Francisco
CA
Paul Contos

Tucson Jazz Institute 'Ellington' Band
Tucson
AZ
Doug Tidaback

COLLEGE BIG BAND DIVISION

School
City
State
Director

Azusa Pacific University
Azusa
CA
David Beatty

California State University, Long Beach Jazz Orchestra
Long Beach
CA
Jeff Jarvis

Cuesta College
San Luis Obispo
CA
Ron McCarley

Sacramento State University
Sacramento
CA
Steve Roach

Santa Barbara City College
Santa Barbara
CA
Jim Mooy

University of Southern California Thornton School of Music
Los Angeles
CA
Bob Mintzer

COLLEGE VOCAL ENSEMBLE DIVISION

Ensemble
City
State
Director

Cabrillo College "West Coast Voices"
Aptos
CA
Mark Bidelman

College of the Canyons "Just Jazz"
Valencia
CA
Julie Lawson

Contra Costa College "Jazzanova"
San Pablo
CA
Stephanie Austin

California State University, Long Beach “Pacific Standard Time”
Long Beach
CA
Christine Guter

Fresno City College Jazz Singers
Fresno
CA
Mike & Julie Dana

West Valley College
Saratoga
CA
Michelle Hawkins

OPEN COMBO DIVISION

Ensemble
City
State
Director

C.O.L. Jazz Band
Pittsburgh
PA
Tim Smith

Chase Morrin Group
San Diego
CA
Chase Morrin

Josiah Boornazian Group
Northridge
CA
Matt Harris

Midwestern Barncoat
Northridge
CA
Matt Harris

University of Nevada, Las Vegas Contemporary Combo
Las Vegas
NV
Dave Loeb

University of Nevada, Reno Quintet
Reno
NV
Hans Halt

MIDDLE SCHOOL BIG BAND DIVISION

School
City
State
Director

Alta Sierra Middle School
Clovis
CA
Paul Lucckesi

Arden Middle School
Sacramento
CA
Rick Baker

Borel Middle School
San Mateo
CA
Brian Switzer

Eagle Rock Jr. Middle School
Los Angeles
CA
Greg Samuel

Folsom Middle School
Folsom
CA
John Zimny

Sutter Middle School
Folsom
CA
John Zimny

SPECIAL GUEST GROUPS

Ensemble
City
State
Director

Alaska Jazz Workshop
Anchorage
AK
John Damberg

Broken Arrow High School Jazz Band
Broken Arrow
OK
Reid Bennett

Heatwave Jazz and Show Band
La Quinta
CA
Jim Little

Jazz Elite Jazz Ensemble
Woodland
NY
Iantheia Calhoun

Metropolitan Youth Symphony Jazz I
Portland
OR
Derek Sims

Sacramento State University Jazz Singers
Sacramento
CA
Kerry Marsh

Tomisato High School Jazz Band
Tomisato
JAPAN
Masaki Shinohara

University of Nevada, Las Vegas Jazz Ensemble I
Las Vegas
NV
Dave Loeb

*********
About the Next Generation Jazz Festival and the Monterey Jazz Festival Jazz Education Programs

The Monterey Jazz Festival is dedicated to perpetuating the uniquely American form of music known as jazz by producing performances that celebrate the legacy and expand the boundaries of jazz; and by presenting year-round local, regional, national, and international jazz education programs. The Monterey Jazz Festival is a nonprofit organization and has donated its proceeds to musical education since its inception in 1958.

These hands-on, cutting-edge educational components include the Traveling Clinician and Latin Jazz Programs, with professional musicians visiting Monterey County schools to teach students how to play and improvise in jazz and Latin styles; the Artist-In-Residence Program, which brings a leading jazz performer to work with students throughout the year; the annual Summer Jazz Camp, the Instrument and Sheet Music Library, the Digital Music Education Project, the Next Generation Jazz Festival, the Monterey County High School All-Star Band, the Monterey County Middle School Honor Band and Vocal Honor Jazz Ensemble, and the Next Generation Jazz Orchestra.

The genesis of the Next Generation Jazz Festival started in 1971 when Jimmy Lyons, founder and General Manager of the Monterey Jazz Festival, began presenting the top groups of the Festival-sponsored California High School Jazz Band Competition on the final day of the MJF. Over the years, some of the young musicians who have participated in what tenor saxophonist Joshua Redman describes as “the Super Bowl of California high school jazz competitions” have gone on to become stars of their generation in their own right: saxophonists Joshua Redman, Dave Koz, and Dave Ellis, pianists Benny Green and Patrice Rushen, multi-instrumentalist Peter Apfelbaum, bassist Larry Grenadier, and many more.

In 2005, the competition was expanded – adding more educational components – and renamed the Next Generation Jazz Festival, and the California High School All-Star Band morphed into the Next Generation Jazz Orchestra. Now in its seventh year, the Next Generation Jazz Festival draws upon 40 years of previous educational experience, history and innovation to its expanding lineup and scope.

Girl's Night Out: Amanda Carr & Jazz Chicks live @ Sidebar, March 5

"Jazz Chicks" will be performing at Sidebar. Along with Amanda Carr will be local favorite pianist/vocalist Yvonne Monnett and bassist extraordinaire, Genevieve Rose. Also joining them for her first appearance, drummer Gillian Delear who will be guesting with this all female quartet. One of the best jazz vocalists in the current jazz scene, Amanda Carr handpicked her favorite female counterparts and asked if they might be interested in having an occasional "Girl's Night Out", playing jazz and spotlighting their collective talents.

Saturday, March 5, 7pm
Sidebar Bistro
127 Dorrence Street, Providence, RI
RESERVE NOW!!!
CALL 401-421-7200

"I don't have a set list yet," Amanda told us. "But a couple of tunes I'm doing are "Don't Go to Strangers", "I Hear Music", "Foolin' Myself," a couple of duets with Yvonne including a version of "How High the Moon & Ornithology" and "Just You, Just Me". Yvonne Monnett will sing a few tunes, too. She's really great."

Other Music & Dig For Fire's "SXSW Lawn Party" in Texas, March 17 & 18

We are thrilled to announce the line-up for the fourth annual SXSW Lawn Party, which Other Music will be presenting again with our good friends, Dig For Fire! As you can see below, they've got an extraordinary two-days of music planned, so if you are in Austin for SXSW, please do join us on the Thursday and Friday afternoon of the music festival. Whether you can stop by or not, Dig For Fire will be filming the performances and you'll be able to see all the highlights on youtube.com/sxswlawnparty. And check out this YouTube channel in the coming days, where they'll be posting some of the best musical moments from past years' events, including never-before-seen performance footage. See you in Texas!!

THURSDAY, MARCH 17
HILL STAGE: Papercuts (1 pm), Cass McCombs (2 pm), Twin Shadow (3 pm), Sharon Van Etten (4 pm), Low (5 pm), Edwyn Collins (6 pm)
VALLEY STAGE: Hanni El Khatib (1:30 pm), Olof Arnalds (2:30 pm), Janka Nabay (3:30 pm), Lia Ices (4:30 pm), Ted Leo (5:30 pm)

FRIDAY, MARCH 18
HILL STAGE: Anna Calvi (1 pm), Lower Dens (2 pm), Grass Widow (3 pm), Cults (4 pm), James Blake (5 pm), !!! (Chk Chk Chk) (6 pm)
VALLEY STAGE: Jamie Woon (1:30 pm), John Vanderslice (2:30 pm), The Ghost of a Saber Tooth Tiger (Sean Lennon & Charlotte Kemp Muhl -- 3:30 pm), Sam Amidon (4:30 pm), Tune-Yards (5:30 pm)

FRENCH LEGATION MUSEUM
802 San Marcos Street Austin, TX
1 pm to 7 pm both days
Free All Ages (21+ w/ID to drink)

Quincy Jones Presents Alfredo Rodriguez Trio live in Ohio, tomorrow, March 4

Quincy Jones Presents: The Alfredo Rodriguez Trio w/ Ricardo Rodriguez and Henry Cole
Friday, March 4th 2011 6:30pm
Akron Art Museum
Akron, Ohio 44308
330-376-9166

Born in Havana, Cuba, Alfredo trained at the famous Manuel Saumell Classical Music Conservatory, then at the Amadeo Roldan Music Conservatory and subsequently at the Instituto Superior de Arte. His lucky break came in 2006 when he was selected as one of twelve pianists from around the world to play at the prestigious Montreux Jazz Festival. In Montreux, Alfredo struck a chord in legendary music producer Quincy Jones who noticed Alfredo’s immense talent and decided to begin working with Alfredo. In January of 2009 Alfredo made the difficult decision to leave his family and country behind and embark on a journey to pursue a career in music in the United States.

In his first two years since moving to the United States, Alfredo Rodríguez has played to capacity crowds during the Playboy Jazz Festival at the Hollywood Bowl; the SXSW Music Festival in Austin, Texas; the Detroit Jazz Festival; the Monterey Jazz Festival; the Newport Jazz Festival; and many others. In July of 2010 Alfredo did his first European Tour with his Trio playing at XVI International Open Air Festival (Poland), Jazz a Vienne Festival (France), North Sea Jazz Festival (Netherlands), Umbria Jazz Festival (Italy), Montreux Jazz festival (Switzerland) and with the Quincy Jones Global Gumbo All Stars, a group featuring the likes of Richard Bona, Lionel Loueke, Paulinho da Costa, Francisco Mela, and Nikki Yanofsky.

He has built an enormous presence in China after co-writing, with Quincy Jones, the song “Better City, Better Life”, which w as chosen to be the Official Theme Song of the 2010 Shanghai World Expo. He has since played to influential crowds at the 2010 Shanghai Film Festival and the 2010 Shanghai Tourist Festival. Alfredo’s debut CD is set to be released in early 2011 on Quincy Jones' Qwest label with Alfredo’s influences from Bach, Beethoven, and Stravinsky to Thelonious Monk, Bill Evans, Herbie Hancock, and Quincy Jones being displayed prominently. In his words, “Everything I learn, in all aspects of my life, contributes to my music.” In the words of Quincy Jones, “He is very special and I do not say that easily because I have been surrounded by the best musicians in the world my entire life and he is one of the best.”

For more details, please vist www.alfredomusic.com

Anna Mjoll live @ Vibrato, March 4

Due to overwhelming demand and due to her January 29th concert being completely SOLD OUT, a second concert has been added for ANNA MJÖLL @ Herb Alpert's VIBRATO: March 4th, 2011 - 9PM!

Vibrato
2930 Beverly Glen Circle
90077 Bel Air, CA

And it's almost sold out...again... NO COVER but reservations are a must!
Call 310-474-9400

Tickets and information for Anna Mjoll’s upcoming concert with Pat Senatore, Bob Leatherbarrow, and Ed Czach at Herb Alpert's Vibrato in Bel Air on 04 March 2011.
http://www.songkick.com/concerts/8214171-anna-mjoll-at-herb-alperts-vibrato?utm_content=ZD0yNDU1NjIwJnU9Mjk2NDUyNg%3D%3D&utm_source=facebook&utm_medium=shared&utm_campaign=concert-page

Kurt Vile in-store performance in NY, March 8

In the week leading up to the release of his new full-length, "Smoke Ring for My Halo" on Matador Records, Kurt Vile will be playing a series of solo acoustic in-stores at a select handful of independent record shops in the northeast. His final stop on this tour will be at Other Music on the night of the record's release, March 8th at 9PM. This Philly rock wonder is as prolific as he is great, and we consider albums like Constant Hitmaker and last year's Childish Prodigy (his first for Matador) to be new classics. Smoke Ring for My Halo is sure to be added to that list as well.

TUESDAY, MARCH 8th @ 9PM
OTHER MUSIC
15 East 4th Street
NYC, NY
All Ages | Free Admission | Limited Capacity

Sonny Rollins to Receive Nat'l Medal of Arts at White House, tomorrow

Tenor sax titan Sonny Rollins is one of ten honorees who will receive the 2010 National Medal of Arts for outstanding achievements and support of the arts, it was announced by the White House today. The presentation will be made tomorrow, March 2, at 1:45 pm, by President Barack Obama in an East Room ceremony at the White House. Mrs. Michelle Obama will also be in attendance.

"I'm very happy that jazz, the greatest American music, is being recognized through this honor, and I'm grateful to accept this award on behalf of the gods of our music," Rollins said of the award.

The National Medal of Arts is a White House initiative managed by the National Endowment for the Arts. Each year, the NEA organizes and oversees the National Medal of Arts nomination process and notifies the artists of their selection to receive a medal, the nation's highest honor for artistic excellence.

"The National Medal of Arts recipients represent the many vibrant and diverse art forms thriving in America," said NEA Chairman Rocco Landesman. "From criticism to literature, music, poetry, sculpture, and theater, these honorees' devotion to shaping and sharing American art is unrivaled, and I join the President and the country in saluting them."

The 2010 National Medal of Arts Recipients are: Robert Brustein, theatrical critic, producer, playwright, educator; Van Cliburn, pianist, music educator; Mark di Suvero, sculptor; Donald Hall, poet; Quincy Jones, musician, music producer; Harper Lee, author; Sonny Rollins, jazz musician; Meryl Streep, actress; James Taylor, singer, songwriter; Jacob's Pillow Dance Festival. (Lee and Streep are unable to attend tomorrow's ceremony.)

The National Medal of Arts, established by Congress in 1984, is awarded by the President and managed by the National Endowment for the Arts. Award recipients are selected based on their contributions to the creation, growth, and support of the arts in the United States. Each year, the Arts Endowment seeks nominations from individuals and organizations across the country. The National Council on the Arts, the Arts Endowment's presidentially-appointed and Senate-confirmed advisory body, reviews the nominations and provides recommendations to the President, who selects the recipients.

The National Endowment for the Arts was established by Congress in 1965 as an independent agency of the federal government. To date, the NEA has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA (www.arts.gov) extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.

Past jazz honorees include Ella Fitzgerald (1987), Billy Taylor (1992), Cab Calloway (1993), Dave Brubeck (1994), Lionel Hampton (1996), Betty Carter (1997), Benny Carter (2000), Paquito D'Rivera (2005), Wynton Marsalis (2005), and Hank Jones (2008).

Rollins is currently in the midst of assembling a second volume of "Road Shows" recordings from his extensive archive for Fall 2011 release on his Doxy label. (Volume 1 was released in 2008.) The new CD "may contain something from the Beacon concert," he says, referring to the September 2010 Newk@80 concert at the Beacon Theatre in New York. "Everything is on the table."

The saxophonist's 2011 concert season opens with appearances 5/8 at the New Orleans Jazz & Heritage Festival and 5/13 at the New Jersey Performing Arts Center in Newark. He plans three concerts in June in Australia and (for the first time) New Zealand, and will perform at several European festivals in July. Rollins heads to the West Coast in September (including the Monterey Jazz Festival 9/18). An extensive European tour, with stops in Basel, Istanbul, Warsaw, and Budapest, among other cities, is planned for October-November.

Watch the White House ceremony tomorrow, March 2, at 1:45pm ET: www.whitehouse.gov/live
Photos by John Abbott

Vinyl Reissue of the Month - "Hubert Laws: In The Beginning Vol.1"

12" Vinyl Reissue of the Month
Hubert Laws: "In The Beginning Vol.1" (CTI) 1974/2011

Produced by Creed Taylor
Engineered by Rudy Van Gelder @ Van Gelder Studios, February 6, 7, 8 & 11, 1974
Cover Photo: Pete Turner
Album Design: Sibbie McDonough

Featuring: Clare Fischer, Richard Tee, Bob James, Ron Carter, Steve Gadd, Airto Moreira, Dave Friedman, Gene Bertoncini, Ronnie Laws, David Nadien, Emanuel Vardi & George Ricci
Arranged by Hubert Laws, Clare Fischer & Bob James

Instrumental CD Reissue of the Month - "George Benson: White Rabbit"

Instrumental CD Reissue of the Month
George Benson: "White Rabbit" (CTI/Sony Masterworks) 1971/2011

Benson's masterpiece during his CTI years!

Produced by Creed Taylor
Engineered (recorded & mixed) by Rudy Van Gelder
Recorded on November 23, 24 & 30, 1971 at Van Gelder Studios (Englewood Cliffs, New Jersey)
Cover Photo: Pete Turner
Album Design: Bob Ciano
Reissue produced by Richard Seidel

Benson's masterpiece for CTI, the superbly thrilling "White Rabbit" (recorded in 1971 & released in 1972), became an instant fusion classic, featuring the signature title track arrangement of the Jefferson Airplane classic – a 1972 Grammy® nominee for Best Jazz Performance by a Group. Other highlights: "El Mar" (the only track with Earl Klugh) and a superb adaptation of Villa-Lobos' "Little Train," on which Herbie Hancock performs one of his best Fender Rhodes solos ever!

Arranged & conducted by Don Sebesky, it also includes nice renditions of Michel Legrand's love theme for the "Summer of '42" soundtrack (aka "The Summer Knows," on which Airto uses caxixi, pandeiro, bells and woodblocks) and The Mamas & The Papas' "California Dreaming" (previously produced by Creed Taylor & arranged by Sebesky as an instrumental hit for Wes Montgomery's "California Dreaming" Verve album, back in 1966).

The all-star cast features Ron Carter (acoustic bass only), Billy Cobham (drums), Airto Moreira (not only as a percussionist but also providing wordless vocals on "El Mar", "White Rabbit" and even as the lead singer on "Little Train"), John Frosk (lead trumpet on the title track), Hubert Laws (a short but perfect flute solo on "White Rabbit" too), Phil Kraus (a veteran of The Creed Taylor Orchestra in the late 50s, here using tympani on the title track, Chinese gong on "Little Train," and subtle vibes on "Summer of '42" and "California Dreaming"), harpist Gloria Agostini (to whom Sebesky wrote ingenious charts that make her part of the rhythm section), and specially the Spanish-tinged acoustic guitar playing (in 4 of the 5 tracks) of the underrated master Jay Berliner, the unsung hero of this project.

That's what CTI's top connoisseur wrote about this reissue:
http://dougpayne.blogspot.com/2011/01/celebrating-cti-records-40th.html

Guitarist George Benson had already recorded one album for CTI (Beyond the Blue Horizon) plus three notable albums for Creed Taylor’s CTI production house at A&M (an additional album recorded during this time was issued years later) when he waxed White Rabbit in November 1971.

White Rabbit ranks among the strongest and most consistently satisfying and artistic of all of George Benson’s jazz albums, even though each and every one of his CTI albums contains something of significant worth.

Recorded under the auspices of arranger Don Sebesky, who had arranged Benson’s earlier Shape of Things to Come (1969) and The Other Side of Abbey Road (1970), White Rabbit is probably now best known as one of the earliest recordings of Detroit-based guitarist Earl Klugh, who was 17 at the time of this recording (on Benson’s excellent “El Mar” only – yes, he solos briefly too…Klugh joined Benson’s band in 1973). Elsewhere, guitarist Jay Berliner nicely counters Benson’s guitar and is most notable on the album’s track.

Issued in May 1972, White Rabbit overflows with exceptionally strong performances by both Benson and Sebesky, most notably on two hippie-era rock odes, The Mamas & the Papas’ “California Dreaming” and Jefferson Airplane’s title track. Both pieces were no doubt brought to the session by arranger Don Sebesky, a specialist then of transforming such rock staples into dynamic jazz performances (he had earlier written “Big Mama Cass” in tribute to the vocalist from The Mamas & the Papas). It’s no stretch to imagine that Creed Taylor was on board for these covers, imaginatively reconsidered by Sebesky (who uses an effectively minimal deployment of brass and winds throughout) and brought to life by Benson’s warm and reassuring guitarisms.

Benson also covers Heitor Villa-Lobos’ “Little Train” (aka “The Little Train of Caipira”), the second of nine suites written by the Brazilian composer. Producer Creed Taylor had previously covered the popular fifth suite of this musical series in recordings by Lalo Schifrin (Verve, 1964) and Soul Flutes (CTI/A&M, 1968 – arranged by Don Sebesky) and would later capture the piece on the 1972 CTI album by Jackie & Roy, Time & Love, again, arranged by Don Sebesky.

Benson is accompanied here by Herbie Hancock on electric piano (who is bountifully featured throughout), Ron Carter on bass and Billy Cobham on drums, all of whom were first captured together on Benson’s Giblet Gravy (Verve, 1967). Hancock and Carter had, of course, also played with George Benson on Miles Davis’ Miles in the Sky (Columbia, 1968). So these guys were not unfamiliar with each other’s creativity.

Hubert Laws solos on flute for “White Rabbit” while trumpeter John Frosk solos on the title track and the substantial “El Mar.” Airto Moriera is featured on percussion throughout and takes several audibly vocal turns on “Little Train” and “El Mar.”

The excellent and artistically and commercially satisfying White Rabbit was nominated for a 1972 Grammy Award for Best Jazz Performance – Group (in competition with another CTI performance by Joe Farrell for “Outback”) but lost to yet another CTI performance of “First Light” – also arranged by Don Sebesky – by Freddie Hubbard.

DVD of the Month - "Fourplay: Journey"

DVD of the Month
Fourplay: "Journey - Live in Seoul" (Jazz Door)

SHM-CD of the Month - "Zimbo"

SHM-CD of the Month
Zimbo Trio: "Zimbo" (RGE/Ward) 1976/2011

One of Brazil's most important groups ever, the São Paulo-based Zimbo Trio has built an impressive discography since the group was formed in 1964 by Hamilton Godoy (piano), Luiz Chaves (bass) and Rubens Barsotti (drums).

Besides the many great trio albums recorded for RGE in the 60s, they also released several projects with additional instrumentation, most notably the ones with strings arranged by the late Luiz Chaves (the two volumes of "Zimbo Trio + Cordas") and with a brass section ("Zimbo Trio + Metais: Decisão").

After signing with the Philips label in 1971, three albums with full symphony orchestra followed: "Zimbo, Strings and Brass Play The Hits" and the two volumes of "Opus Pop," brilliantly orchestrated by veteran maestro Cyro Pereira and featuring superb guest vocalist Clelia Simone on inspired bossa-jazz adaptations of classical works by Fauré, Villa-Lobos, Chopin, Rimsky-Korsakov etc.

Eventually, they returned to the RGE label and released their masterpiece album in 1976, now reissued on SHM-CD for the very first time. In Japan, of course. The group became a quintet with the addition of two special guests: Argentinian saxophonist/flutist Hector Costita and guitar master Heraldo do Monte, a founding member of the legendary Quarteto Novo. And all the guys played their asses off...

The energy on this session is unbelievable, gives me goose bumps all the time. The repertoire is impeccable, including long versions of two Milton Nascimento's tunes ("Fé Cega, Faca Amolada" with Heraldo on the 12-string acoustic guitar, and "Viola Violar" on which he changes to the electric guitar), Paulo Tito's "Poliedro" (my personal favorite track, with incredible drum breaks and an oustanding Godoy solo on the acoustic piano, with hints of McCoy Tyner) plus four amazing originals composed specially for that session by the group members: "Tudo Bem" (Godoy), "Vai de Aracaju" (Barsotti), "Brincando" (Chaves) and "Laurecy, Até Já" (Barsotti/Godoy).

What grooves, what bass lines! Phenomenal solos! Textural and highly interactive conversations happen in all tunes, with the combination of flute & guitar sounding like a third instrument. Godoy, who was Eliane Elias' teacher & mentor, plays both acoustic & electric pianos. No overdubs, though. Sometimes soloing only with the right hand on the Fender Rhodes while keeping the left hand on the acoustic grand (like he does on a fascinating solo on "Vai de Aracaju"), sometimes playing the two instruments in unison ("Viola Violar"), like Keith Jarrett used to do with organ & electric piano during his years with Miles Davis. It's really one of the best instrumental albums in the history of Brazilian music. 5,000 stars!

Vocal CD of the Month - "Boris Savoldelli: Biocosmopolitan"

Vocal CD of the Month
Boris Savoldelli: "Biocosmopolitan" (MoonJune) 2011

Another impressive set by the most adventurous male vocalist in the contemporary jazz scene. Period.

Executive producer: Leonardo Pavkovic.
Special guests: Paolo Fresu (trumpet/flugelhorn on "Concrete Clima" and "Kerouac in New York City") & Jimmy Haslip (on the title track).
All songs written, arranged, performed, produced & recorded by Boris Savoldelli, except for Jimi Hendrix's classic "Crosstown Traffic," one of Gil Evan's favourites.
All lyrics by Alessandro Ducoli.
Co-produced, engineered, mixed & edited by Piero Villa @ Rumore Bianco Studio (Ensine, Italy).
Project supervision by Vic Albani

Boris Savoldelli’s new release "Biocosmopolitan" is nothing short of a tour de force of vocal artistry. Listeners who are only familiar with the singer’s previous MoonJune CD – the edgy, shape-shifting "Protoplasmic" duets with guitar innovator Elliott Sharp – will be little prepared for the euphonious aural feast that awaits them on "Biocosmopolitan," which represents a new pinnacle for this unique and wholly engaging vocal performer. Besides the 16 tracks, the CD also includes a 8-minute long bonus video clip, "The Miss Kiss," which can be viewed here: http://www.themisskiss.eu/home.php?lan=en

In Italy, Savoldelli studied operatic vocal techniques with Simona Marcello and, more recently, in New York, he's refined his art with singers Jay Clayton and Mark Murphy. Savoldelli is also a member of the innovative avant jazz-rock combo SADO, and released the acclaimed solo album "Insanology" in 2008, a feast of inspired vocal-orchestral loop-layering, featuring a guest appearance by guitarist Marc Ribot, followed by "Proptoplasmic" (2009) on MoonJune. In both occasions, Boris Savoldelli appeared among the top male vocalists of the year in the Jazz Station Polls, placing 3rd in 2008 and 2nd in 2009. Since he didn't release a new album last year, he became ineligible in 2010.

"Biocosmopolitan" would be a remarkable album even if it were performed by a large ensemble of singers and instrumentalists, but the fact that these intricately layered songs were performed in real time by a single vocalist – apart from the brilliant contributions of Italian trumpet star Paolo Fresu on two tracks, fusion bass ace Jimmy Haslip (Yellowjackets, Sadao Watanabe) on another, Savoldelli’s own piano accompaniment on “Biocosmo,” and subtle use of sound-effects recordings – is difficult to believe.

Using only a microphone and a compact, customized setup of looping and sound-processing devices, Savoldelli constructs exquisitely crafted, self-contained sound-worlds replete with elaborate multipart harmonies, complex interlocking rhythms, and a panoply of globe-spanning musical influences old and new, ranging from vintage jazz crooning and calypso to Renaissance polyphony, R&B, South African mbaqanga choral music, psychedelic rock, Beat poetry, his native Italian folk heritage, and a sort of mutant doo-wop. Seldom has vocal music been heard that conjures both the Beach Boys and Stockhausen in the same track. What unifies all of these wildly varied influences is Savoldelli’s inimitable, outgoing musical personality.

Unlike "Protoplasmic," an improvised outing that explored what Boris refers to as his “dark” side, "Biocosmopolitan" is a much more exuberant and accessible affair, and presents the most complete portrait of Savoldelli as singer, composer, arranger, and sound manipulator to date. Deft use of looping enables the singer to accompany himself with a rich tapestry of choral and ‘instrumental’ sounds, as in his amazing emulation of longtime hero Jimi Hendrix’s strangulated, wah-fried guitar cries on a version of “Crosstown Traffic” like no other. Likewise, all of the sophisticated and entirely convincing drum and percussion sounds on "Biocosmopolitan" are produced by vocal cords, mouth, and lips alone.

While other singers have also emulated instrumental timbres using the human voice, none has taken this approach further or with such inventiveness as Savoldelli has on "Biocosmopolitan." With lyrics in Italian, English, and a nonverbal vocalese syntax of his own invention, "Biocosmopolitan" is continually enlivened by Savoldelli’s warm- hearted demeanor and infectious sense of humor, belying the worn-out stereotype that ‘avant-garde’ vocalizing is by definition strident and uninviting. This new album, scheduled for CD release in the USA on March 15, brilliantly demonstrates why Savoldelli has won over audiences throughout the world with his concerts of ‘one-man polyphony,’ while mapping out new frontiers for the human voice.

Instrumental CD of the Month - "Delfeayo Marsalis: Sweet Thunder"

Instrumental CD of the Month
Delfeayo Marsalis: "Sweet Thunder" (Troubador Jass) 2011

An ambitious reconstruction of Duke Ellington's homage to William Shakespeare ("Such Sweet Thunder"), this superb CD brings Delfeayo Marsalis' prodigious talents as a trombonist, composer, and producer to bear. Leading an all-star group of musicians including brothers Branford and Jason Marsalis, plus Mulgrew Miller, Victor Goines, Charnett Moffett, Tiger Okoshi, Mark Gross, Reginald Veal, David Pulphus, and Winard Harper, among others, Marsalis gives Ellington's work a personal twist while honoring the Duke's original intentions. In addition to the brilliant compositional aspects, Marsalis' performance confirms his position as one of the world's top trombonists. I've been a big fan of his work since his first solo album, "Musashi," cut in 1996 for the Japanese label Paddle Wheel, and he has always released outstanding albums. The challenging task of reinventing "Sweet Thunder" is another triumph!

It will certainly make the lists of the best jazz albums of the year. The overall quality of the project, co-produced by Delfeayo himself in association with jazz historian Phil Schaap, is beyond words. The team of recording, mixing & mastering engineers (the album was cut in NYC in 2008) also did a fantastic job. And the deluxe digipak CD artwork design, by the JAM Creative from New Orleans, is simply wondrous. Delfeayo's breathtaking approach in the trombone is welcoming and highly creative, combining the lyricism of Jack Teagarden and Tyree Glenn with the modern touch of J.J. Johnson and Curtis Fuller. Both the written parts and the improvised solos are of the highest level, reaching the perfect balance between creativity and respect for the original scores. Mark Gross, who plays with Delfeayo since "Musashi," shines as one of the most inspired soloists, and the contributions of pianists Mulgrew Miller and Victor "Red" Atkins, Japanese trumpet master Tiger Okoshi, reed player Jason Marshall and sax giant Victor Goines are equally impressive.

Besides all the info contained in the liner covers, there's also a beautifully designed booklet which includes a big "Duke, Shak & Delf" illustration by Chris Osborne, many colored pics of the musicians, extensive liner notes by Delfeayo himself -- commenting each and every tune, each and every interpretation -- and, last but not least, three letters signed by writer Jack Chambers (author of "Bardland: Shakespeare in Ellington's World" and head of the Department of Linguistics from the University of Toronto), Monsignor John Sanders, and the veteran jazz maestro/composer Gunther Schuller, the only one who adopts a surprisingly "purist" feeling against the adaptation of any Ellington work. But I'm sure that Delfeayo's project will stand the test of time.
************
From his first solo album in Japan ("Musashi") and his debut as a leader in the U.S. ("Pontius Pilate's Decision"), Marsalis has been a conceptually ambitious composer and player. "Sweet Thunder" re-affirms his ability to make innovative and daring music within and beyond the jazz tradition. Marsalis, a recipient of the 2011 NEA Jazz Masters Award, will also tour with his theatrical jazz production of "Sweet Thunder" in 2011.

William Shakespeare's work defined the scope and depth of English and world literature in a way that remains immediate and powerful to this day; similarly, Duke Ellington's work outlined what American music could become and laid out the key elements that still define jazz. In 1957, Ellington and collaborator Billy Strayhorn were invited by the Stratford (Ontario) Shakespeare Festival to compose music in tribute to Shakespeare. They came up with "Such Sweet Thunder," which yielded, among other pieces, the poignant portrait of Romeo and Juliet, "Star Crossed Lovers."

For a generation, the Marsalis family has been a huge force in American music. A producer for mega-stars like Harry Connick and his brothers Branford and Wynton, Delfeayo Marsalis is a marvelous trombonist, composer and arranger. With this major production he is now stepping out into the limelight as never before.

Driven by a long-term affinity for both Duke and the Bard, Delfeayo (pronounced like Romeo) Marsalis studied literature on the masters' level at the University of New Orleans, where he nurtured his love for William Shakespeare. While later earning his masters degree in jazz performance at the University of Louisville, the connection was made between the Bard and the Duke in the form of a thesis paper relating the two, and was inspired to create a fresh new interpretation of "Such Sweet Thunder."

"I've always believed that each generation is responsible for preserving and furthering the work of their forefathers while maintaining originality," he says. While researching at the Smithsonian Institute in D.C., Marsalis discovered the original scores from "Such Sweet Thunder."

"I am fairly certain Duke secured copies of these scores with the expectation that the material would be developed by a student of the music in the future. More than any other Ellington Suite, Thunder is extremely rich in melody, yet modest in development."

Rather than maintaining Ellington's original instrumentation, Marsalis chose to adapt the thematic material for octet. He states, "I am not at all a fan of repertory bands or the idea of 'recreationism.' The arranger's challenge is to keep the composer's essential elements while adding a degree of originality. Branford referred me to the Schoenberg Society reduction of Gustav Mahler's "4th Symphony" for chamber orchestra, Mahler's exact score orchestrated for fewer instruments. "Sweet Thunder" here has fewer instruments, but includes additional exposition and employs different grooves."

Ellington's musical portraits of Shakespeare's characters provide Marsalis an opportunity to delve deeply into the Bard's dramatic art. He states, "Duke & Shak were masters of form and thematic development who composed with creativity and humor." Whenever Marsalis takes license with the original score, he does so with good reason. The famous high note trumpet feature, "Madness in Great Ones," showcases Victor Goines on sopranino saxophone because "it sounds at least as irritating as a trumpet." Marsalis inserts a solo section that provides a nifty conversation between himself and Goines and explains, "In Shakespeare plays, there are individuals who either try to prevent or encourage a hero's inevitable descent into insanity. Duke captures the essence of Hamlet's state of madness, whereas I wanted to expose his going insane. Victor portrays Hamlet's ever-maddening state of mind, while I play the voice of reason. Ultimately, the solos grow in intensity until the logical pleas of my trombone are finally overtaken."

Marsalis has an uncanny knack for featuring soloists in their best light, an invaluable skill in producing programmatic music. For example, brother Branford's solos on "Half the Fun" and "Sonnet for Caesar" are structured like extended operatic arias. "Instead of focusing on Caesar's betrayal at the hands of Brutus, I asked Branford to first illustrate his unique character and loveable qualities; explore his greatness; and then reveal the twist of fate," Marsalis explains. "Similarly with Cleopatra in 'Half the Fun,' Branford develops his solo in the style of Art Blakey's Jazz Messengers, but using modern harmony and rhythms." Indeed, all of the soloists on Sweet Thunder state their respective cases with calm, cool and collected authority.

About "Sonnet in Search of a Moor" Marsalis says, "Duke's portrayal of Othello is a brief, introspective portrait, whereas ours exposes more about the man: a proud individual, a great leader, who eventually plunges into darkness caused by pride and jealousy." The vocal-style muted trombone on "Sonnet for Sister Kate" is supported by an African drum rhythm. "Star-Crossed Lovers" modulates twice to non-related keys to suggest the dramatic differences between Romeo and Juliet. Even the two compositions that retain their original structure, "Lady Mac" and "Up & Down," are treated to Marsalis' creatively humorous devices, as the sax solos on both use Clark Terry's original opening statement as a point of departure. In fact, upon hearing Sweet Thunder, Ellington trumpeter Clark Terry proclaimed, "Duke and Strayhorn would have loved this, y'all got it right!"

Marsalis draws inspiration from Ellington's inventive use of form in his own expanded interpretations of several of the movements. For the sonnets, Ellington kept the Shakespearean design of 10 notes (syllables) for 14 lines. In "Sonnet to Hank Cinq" Marsalis inserts a solo section after the 8th line (of 10 notes) and concludes with the last 6 lines after the solos. This point in the traditional sonnet is a break called the volta, which makes it logical place for an improvisational excursion. The solos consist of a medium tempo 10-bar blues in a major key alternating with a fast minor key section. The effect amplifies the contrast Ellington subtly suggests, creating a more intense pallet of expression. It also reflects Ellington's long propensity for taking the blues beyond its most standard 12-bar form. Another example is "The Telecasters," which keeps the soft-shoe dance form throughout solos that find trumpeter Tiger Okoshi and saxophonist Mark Gross at the top of their games.

Marsalis describes the closing "Circle of Fourths," as "a good reason to play fast in different keys! Duke composed it to pay homage to Shakespeare's greatness in comedy, tragedy, history, and poetry, but the title also refers to a musical progression. Each time we state the melody the song changes key, texture and tempo." The rhythm section of Victor "Red" Atkins, Charnett Moffett and Jason Marsalis support the soloists with fiery intensity that recalls the excursions of John Coltrane's classic quartet and Ornette Coleman's post-chordal approach.

"Sweet Thunder" is a major departure from the original "Such Sweet Thunder" to good effect - hard to imagine in the hands of a musician less versatile than Delfeayo Marsalis. Sensitive to the musical requirements, he explores the original material in the distinctive language of his native New Orleans, yet his melodic alterations and form additions are seamlessly composed and orchestrated.

A trombonist since the age of 13, Delfeayo Marsalis produced his first recording at age 17. With such a budding resume, it made perfect sense for him to attend Berklee College of Music, majoring in both performance and audio production. He has since produced over 100 major-label recordings by Harry Connick, Jr., Marcus Roberts, Spike Lee, and other members of the Marsalis family, several of which have received Grammy awards and nominations. For many years, Marsalis has been involved with youth education in various developmental programs. He founded Uptown Music Theatre in 2000 and implemented its Kidstown AfterSchool in three New Orleans grammar schools in 2009. In 2004, he obtained an MA in jazz performance at the University of Louisville and was conferred a doctorate by New England College in 2009.

In January 2011 Delfeayo Marsalis received the nation's highest jazz honor, being named an NEA Jazz Master along with his father Ellis and brothers Branford, Wynton and Jason. In 2011, he will tour with a special presentation of "Sweet Thunder" featuring actor Kenneth Brown, Jr. and a jazz octet, full stage set and costuming. "We'll relate Shakespeare's and Ellington's genius both theatrically and musically," Marsalis says. I can't wait to attend!

For more info about Delfeayo's career, please visit http://www.delfeayomarsalis.com